Showing posts with label Fire. Show all posts
Showing posts with label Fire. Show all posts
Monday, May 21, 2018
4th June - Elementary Poetry Workshop...and end of year party!
All are welcome to join us to celebrate the end of our elements series with a found poetry workshop using all of the texts we have read and discussed over the previous two academic years. See here for an online introduction to found poetry, and examples.
We meet on Monday 4th June in the Newnham Grange Seminar Room at Darwin College, from 7.30–9pm.
See you then!
Monday, December 04, 2017
New Journal issue - 'Technologies of Fire in Nineteenth-Century British Culture'
19: Interdisciplinary Studies in the Long Nineteenth Century, 25 (2017)
Cultural histories of nineteenth-century Britain have studied the important physical and psychological transformations caused by the industrialization of light. Gaslight, though discovered prior to the nineteenth century, became aligned with the era's narratives of national and industrial progress, an arc that, one might argue, culminated in the growing popularity of electric light at the end of the century. Yet, despite these new technologies of 'artificial light', 'natural' wood and coal fires remained popular in British culture. This issue explores fire as a visual and narrative technology in art, literature, and public displays by examining the ways in which fire evoked competing symbolic values, such as primitivism and modernity, vitality and destruction, intimacy and spectacle. The reading order mixes articles and shorter pieces together to demonstrate the continuities of fire across various sites, including: the domestic fireside, the tallow candle, theatrical conflagrations, Turner's fires, subterranean fire, solar fire, fireworks, funeral pyres, and a coal-ship fire.
Cultural histories of nineteenth-century Britain have studied the important physical and psychological transformations caused by the industrialization of light. Gaslight, though discovered prior to the nineteenth century, became aligned with the era's narratives of national and industrial progress, an arc that, one might argue, culminated in the growing popularity of electric light at the end of the century. Yet, despite these new technologies of 'artificial light', 'natural' wood and coal fires remained popular in British culture. This issue explores fire as a visual and narrative technology in art, literature, and public displays by examining the ways in which fire evoked competing symbolic values, such as primitivism and modernity, vitality and destruction, intimacy and spectacle. The reading order mixes articles and shorter pieces together to demonstrate the continuities of fire across various sites, including: the domestic fireside, the tallow candle, theatrical conflagrations, Turner's fires, subterranean fire, solar fire, fireworks, funeral pyres, and a coal-ship fire.
- Introduction - Anne Sullivan and Kate Flint
- Animating Flames: Recovering Fire-Gazing as a Moving-Image Technology - Anne Sullivan
- Tallow Candles and Meaty Air in Bleak House - Anna Henchman
- Fire on Stage - Nicholas Daly
- Power, Creativity, and Destruction in Turner's Fires - Leo Costello
- Visions of Volcanoes - David M. Pyle
- Dirty Fires: Cosmic Pollution and the Solar Storm of 1859 - Kate Neilsen
- Fireworks - Kate Flint
- Victorian Imag(in)ing of the Pagan Pyre: Frank Dicksee's Funeral of a Viking - Nancy Rose Marshall
- While the World Burns: Joseph Conrad and the Delayed Decoding of Catastrophe - Jesse Oak Taylor
- Afterword - Fire - Isobel Armstrong
Saturday, December 03, 2016
Recap - Fighting Fire
Last Monday witnessed a fitting finale to the term, when we met to discuss how people have experienced, witnessed, recorded, explained, responded to, dealt with, and even lied about fires.
Our set readings took in a number of literary forms: Pepys's delightful fiery diary, where an evocative account of the Great Fire of London sat alongside more mundane matters; a contemporary ballad both chronicling the geographical spread of the fire but also invoking classical comparison and divine retribution; R.M. Ballantyne's 'Boy's Own'-style adventure, where the fire was cast as an enemy or a wild animal to be conquered by the noble fire brigade and juvenile hero; and Hilaire Belloc's charming cautionary tale, riffing on moral fables for the young.
Several themes of the term's conversations therefore recurred: the liveliness of fire, and the temptation to anthropomorphise it; the wider spiritual and religious symbolism of fire; attempts to control fire by the use of certain kinds of equipment; how best to describe in verbal or visual forms a far more multisensory experience. Although with twentieth-century comic verse we were perhaps far from Heraclitus, the connecting thread of fire meant that even more similarities or contrasts, echoes and evocations, were present than I had anticipated when setting the readings over the summer. Appropriately, we closed the term as we began, with the reading of a piece of poetry.
Thank you so much to everyone who has contributed to a particularly memorable series of sessions this Michaelmas! As previously advertised, we will be sticking with the elements in Lent when we will be exploring air, possibly now with a focus on eighteenth-century pneumatics. (Readings will follow in January.) Until then, may the Yule log burn bright!
Our set readings took in a number of literary forms: Pepys's delightful fiery diary, where an evocative account of the Great Fire of London sat alongside more mundane matters; a contemporary ballad both chronicling the geographical spread of the fire but also invoking classical comparison and divine retribution; R.M. Ballantyne's 'Boy's Own'-style adventure, where the fire was cast as an enemy or a wild animal to be conquered by the noble fire brigade and juvenile hero; and Hilaire Belloc's charming cautionary tale, riffing on moral fables for the young.
Several themes of the term's conversations therefore recurred: the liveliness of fire, and the temptation to anthropomorphise it; the wider spiritual and religious symbolism of fire; attempts to control fire by the use of certain kinds of equipment; how best to describe in verbal or visual forms a far more multisensory experience. Although with twentieth-century comic verse we were perhaps far from Heraclitus, the connecting thread of fire meant that even more similarities or contrasts, echoes and evocations, were present than I had anticipated when setting the readings over the summer. Appropriately, we closed the term as we began, with the reading of a piece of poetry.
Thank you so much to everyone who has contributed to a particularly memorable series of sessions this Michaelmas! As previously advertised, we will be sticking with the elements in Lent when we will be exploring air, possibly now with a focus on eighteenth-century pneumatics. (Readings will follow in January.) Until then, may the Yule log burn bright!
Wednesday, November 16, 2016
28th November - Fighting Fire
Our final meeting of term will both commemorate the 350th anniversary of the Great Fire of London earlier this year, with a pair of early modern sources, but will also think more broadly about the relationships between fire, people, and technologies. We meet, as usual, from 7.30-9pm in the Newnham Grange Seminar Room at Darwin College. All are most welcome to join us, as we bid farewell to the flames!
We will be reading:
- Samuel Pepys, Diary, September 1666.
- ‘The Londoners Lamentation’.
- R.M. Ballantyne, Fighting the Flames (1868), chapter IV, ‘Tells of a Fierce Fight with the Flames’.
- Hilaire Belloc, ‘Matilda: who told lies and was burned to death ’ (1907).
Recap - Bodily Fire
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Simon's marvellous evocation of the spontaneous combustion scene in Bleak House, as photographed by Charissa. |
Thankfully the signs were reassuring as we entered the
Newnham Grange Seminar Room for the third meeting of term: no smoke, little
soot, a lack of greasy residue, and only the smallest heaps of ash. Despite the
subject-matter of our selected readings, we could be fairly sure that no
spontaneous combustion had occurred. Thus emboldened, and joined by some
two-dimensional Dickensian colleagues, we embarked on a
lively (and largely politics-free…) debate on the fact, fiction, history, and
mystery, of this strange manifestation of bodily fire.
Charissa introduced the chosen extracts from the Philosophical Transactions, Familiar Letters on Chemistry, and Bleak House, detailing the specific
connections they drew upon: medicine and chemistry; science and the
law; certain kinds of people and particularly fiery fates. These lines of
approach opened up rewarding topics of discussion, from the set of clues or
symptoms (see Huxley's 'Method of Zadig') of spontaneous human combustion, to varying explanations for its
supposed occurrence, internal and external (lightning, gin, internal gases?), to whether or not a realist novel
had to include realistic science.
An evocative reading by Simon of the opening pages of Bleak House reminded us of the atmosphere and wider preoccupations of the work, including its general preoccupation with combustion, energy and entropy (for more on this, see Barri Gold's Thermopoetics), driving the engine of its plot. This led us on to a perennial topic of interest for the group: the role of models, analogies, and lived experiences more generally in scientific writings and conceptualisations.
Expertise was another key area of interest: Liebig's setting-up of hierarchies in his piece of chemical (and chemists') advocacy, and his connections to training a generation of research chemists; how links to industry, agriculture, and the state, helped affirm the role of the scientific expert. We thought about the relationships between scientific experts and the public (would people no longer send in 'curious observations' directly to the Royal Society?), between scientific experts and expert witnesses (are mathematicians no longer permitted as expert witnesses?)
We discussed how different this type of fire was, compared with its incarnations in our earlier sessions: no longer as pure, generative, creative, as in Heraclitus, nor as subtle as in Barrett and Tyndall; however, in its associations with fate ('The Appointed Time') and hell-fire it retained a spiritualised or divine element. Finally, we also thought about the more recent examples of 'SHC', as it has become known; its occurrence in recent sci-fi and fantasy works, including Buffy, X-Files, and Red Dwarf, and whether it is now more usually found in the province of conspiracy theorists than serious scientific enquiry. But the question remains: is spontaneous human combustion impossible, or just very very improbable?
Expertise was another key area of interest: Liebig's setting-up of hierarchies in his piece of chemical (and chemists') advocacy, and his connections to training a generation of research chemists; how links to industry, agriculture, and the state, helped affirm the role of the scientific expert. We thought about the relationships between scientific experts and the public (would people no longer send in 'curious observations' directly to the Royal Society?), between scientific experts and expert witnesses (are mathematicians no longer permitted as expert witnesses?)
We discussed how different this type of fire was, compared with its incarnations in our earlier sessions: no longer as pure, generative, creative, as in Heraclitus, nor as subtle as in Barrett and Tyndall; however, in its associations with fate ('The Appointed Time') and hell-fire it retained a spiritualised or divine element. Finally, we also thought about the more recent examples of 'SHC', as it has become known; its occurrence in recent sci-fi and fantasy works, including Buffy, X-Files, and Red Dwarf, and whether it is now more usually found in the province of conspiracy theorists than serious scientific enquiry. But the question remains: is spontaneous human combustion impossible, or just very very improbable?
Thanks, as ever, to all who contributed to a particularly enjoyable evening!
Wednesday, November 02, 2016
14th November - Bodily Fire
Our next meeting will look at scientific and literary explorations of the strange phenomenon of spontaneous human combustion.Was this fact, or fiction?
We will meet, as usual, from 7.30-9pm in the Newnham Grange Seminar Room at Darwin College. Readings are:
We will meet, as usual, from 7.30-9pm in the Newnham Grange Seminar Room at Darwin College. Readings are:
- Paul Rolli, Joseph Bianchini and John Hilliard, ‘An Extract…Upon the Death of the Countess…’, Philosophical Transactions 43 (1744), 447-465.
- Charles Dickens, Bleak House (1852-3), chapter XXXII, 'The Appointed Time'.
- Justus von Liebig, Familiar Letters on Chemistry (1859 4th edn), letter XXIV, 296-322.
Recap - Sensitive Fire
Thanks to all who forewent an opportunity to trick or treat, and instead attended our Hallowe'en meeting of the Science and Literature Reading Group on Monday evening! We formed another excellently interdisciplinary group, with a particularly strong showing from the HPS MPhil and Part III cohort, which committed itself to a conversation about experimental practice, paranormal activity, natural classification systems, and public engagement techniques from the 18th century to the present day.
In my introduction I tried to draw out three main ways in which to think about these readings about the so-called sensitive flames: phenomena, genre, and community. Phenomena: how do you interrogate, explain, and describe what happens in the (super)natural world? Genre: what is particular about publishing in the late-19th-century periodical press? Are these articles more lectures, essays, attempts at virtual witnessing? How do the poems, and articles, relate to each other? Community: how literature as well as science binds together communities, how communities were defining themselves at this time: British Association, physicists, men of science, spiritualists, etc.
Many of these issues, I suggested, were to do with boundaries: a theme which opened up the discussion: we talked about the style in which Tyndall's piece was written, with the sensitive flame almost like a living creature; how a taxonomy of flames was created; we watched a video of a sensitive flame in action; we talked about what kinds of forces were involved, and how the effects were explained; we considered the special role that flames and candles had at the Royal Institution, and its particular place within the London scientific landscape of the 19th century; we connected these readings back to Heraclitean understandings of flux and change, spirit and matter; how Tennyson's 'The Brook' could be rewritten as a series of celebratory scientific in-jokes; and what limits (or not) there might be to what experimental approaches could reveal about the workings of the universe.
Thanks to all who contributed to the discussion or to the catering arrangements, which with their zombie brain jellies or DIY 'sensitive flame' biscuits made up for any Hallowe'en festivities we might have been missing out on. And the supernatural theme will continue next time, when we discuss spontaneous human combustion...
In my introduction I tried to draw out three main ways in which to think about these readings about the so-called sensitive flames: phenomena, genre, and community. Phenomena: how do you interrogate, explain, and describe what happens in the (super)natural world? Genre: what is particular about publishing in the late-19th-century periodical press? Are these articles more lectures, essays, attempts at virtual witnessing? How do the poems, and articles, relate to each other? Community: how literature as well as science binds together communities, how communities were defining themselves at this time: British Association, physicists, men of science, spiritualists, etc.
Many of these issues, I suggested, were to do with boundaries: a theme which opened up the discussion: we talked about the style in which Tyndall's piece was written, with the sensitive flame almost like a living creature; how a taxonomy of flames was created; we watched a video of a sensitive flame in action; we talked about what kinds of forces were involved, and how the effects were explained; we considered the special role that flames and candles had at the Royal Institution, and its particular place within the London scientific landscape of the 19th century; we connected these readings back to Heraclitean understandings of flux and change, spirit and matter; how Tennyson's 'The Brook' could be rewritten as a series of celebratory scientific in-jokes; and what limits (or not) there might be to what experimental approaches could reveal about the workings of the universe.
Thanks to all who contributed to the discussion or to the catering arrangements, which with their zombie brain jellies or DIY 'sensitive flame' biscuits made up for any Hallowe'en festivities we might have been missing out on. And the supernatural theme will continue next time, when we discuss spontaneous human combustion...
Tuesday, October 18, 2016
31st October - Sensitive Fire
We meet, as usual, from 7.30-9pm in the Newnham Grange Seminar Room at Darwin College. Readings here:
- John Tyndall, ‘On sounding and sensitive flames’, Philosophical Magazine 4 (1867), 92-99.
- W.F. Barrett, ‘Note on “sensitive flames”’, Philosophical Magazine 4 (1867), 216-222.
- [James Clerk Maxwell], ‘To the Chief Musician Upon Nabla: A Tyndallic Ode’, in ‘The British Association Meeting at Edinburgh’, Nature 4 (1871), 288-298, 291.
If you have difficulties accessing any of the readings then please email Melanie for pdf copies!
Recap - Cosmic Fire
Our first fiery discussion of the term delved deep into Heraclitean philosophy, as we sought an understanding of his cosmology. Whether considering flux or balance, mensuration or childishness, it was clear that our hour-and-a-half discussion was only ever going to be a beginning to a longer journey of reflection on allusive sayings and elusive meanings (I feel Heraclitus would have approved). Along the way, we were helped by thoughtful and generous contributions from our numerous, wide-ranging group of attendees - thanks to all who came!
Comparing the more academic translation of Heraclitus's fragments with later poetic versions enabled us to foreground the form of his philosophy: suggestive, rather than didactic, perhaps? Like nature's hidden meanings, did true wisdom also have an occult quality? Should it more fruitfully be compared with contemporary Daoist writings, rather than Greek sophistry? A fine reading of Gerard Manley Hopkins brought out new textures to his poem, and after dwelling on the spiritual elements of Heraclitus's writings, we were able to see how its ideals of change, becoming, and conflagration could be co-opted in imagery of the Christian resurrection. Indeed, how metaphorical, and how literal, Heraclitus's fire might have been formed another hot topic of discussion: in a characteristic move for the Reading Group, this led to both a frantic Googling of the history of scorched earth agriculture, and a meditation on the etymology and linguistic co-locations (and collocations) of fire with anger, life, or love.
All this, and much more (I haven't even mentioned Nietzsche): our interest in this topic has certainly been kindled.
Comparing the more academic translation of Heraclitus's fragments with later poetic versions enabled us to foreground the form of his philosophy: suggestive, rather than didactic, perhaps? Like nature's hidden meanings, did true wisdom also have an occult quality? Should it more fruitfully be compared with contemporary Daoist writings, rather than Greek sophistry? A fine reading of Gerard Manley Hopkins brought out new textures to his poem, and after dwelling on the spiritual elements of Heraclitus's writings, we were able to see how its ideals of change, becoming, and conflagration could be co-opted in imagery of the Christian resurrection. Indeed, how metaphorical, and how literal, Heraclitus's fire might have been formed another hot topic of discussion: in a characteristic move for the Reading Group, this led to both a frantic Googling of the history of scorched earth agriculture, and a meditation on the etymology and linguistic co-locations (and collocations) of fire with anger, life, or love.
All this, and much more (I haven't even mentioned Nietzsche): our interest in this topic has certainly been kindled.
Wednesday, October 05, 2016
17th October - Cosmic Fire
Our first meeting of the academic year explores fiery ancient philosophy. We are delighted that Liz Smith will be introducing the set readings, which are linked to here:
- Patricia Curd (ed.), A Presocratics Reader (2011), chapter 5 on Heraclitus of Ephesus.
-
Brooks Haxton, ‘Fragments of Heraclitus’, New England Review 22 (2001), 15-19.
- Gerard Manley Hopkins, ‘That Nature is a Heraclitean Fire and of the comfort of the Resurrection’ (1918).
- Optional further reading: ‘Heraclitus’, Stanford Encyclopedia of Philosophy, particularly section 4, ‘Cosmology’.
Fire - Online Exhibition
A diverse selection of sources exploring the many uses and meaning of fire are included in this online exhibition from MHEU. Perfect reading as we start the term!
Tuesday, September 20, 2016
Michaelmas Term 2016 - Fire
This term the Science and Literature Reading Group is on fire. Our four themed sessions will explore flames elemental and personal, spiritual and experimental, spontaneous and accidental. As usual, we will read a diverse range of sources, including ancient philosophy, comic poetry, diary entries, experimental reports, and serialised fiction. This term an additional optional piece of scholarship/commentary has also been suggested on each reading list.
Meetings take place on Monday evenings at Darwin College from 7.30-9pm. The group is organised by Melanie Keene and Charissa Varma. For recaps, further readings, news, and other updates, watch this space!
All are welcome to join in our wide-ranging and friendly discussions!
17th October – Cosmic Fire
- Patricia Curd (ed.), A Presocratics Reader (2011), chapter 5 on Heraclitus of Ephesus.
- Brooks Haxton, ‘Fragments of Heraclitus’, New England Review 22 (2001), 15-19.
- Gerard Manley Hopkins, ‘That Nature is a Heraclitean Fire and of the comfort of the Resurrection’ (1918)
31st October – Spiritual Fire
- John Tyndall, ‘On sounding and sensitive flames’, Philosophical Magazine 4 (1867), 92-99.
- W.F. Barrett, ‘Note on “sensitive flames”’, Philosophical Magazine 4 (1867), 216-222.
- [James Clerk Maxwell], ‘To the Chief Musician Upon Nabla: A Tyndallic Ode’, in ‘The British Association Meeting at Edinburgh’, Nature 4 (1871), 288-298, 291.
14th November – Bodily Fire
- Paul Rolli, Joseph Bianchini and John Hilliard, ‘An Extract…Upon the Death of the Countess…’, Philosophical Transactions 43 (1744), 447-465.
- Charles Dickens, Bleak House (1852-3), chapter XXXII, 'The Appointed Time'.
- Justus von Liebig, Familiar Letters on Chemistry (1859 4th edn), letter XXIV, 296-322.
28th November – Fighting Fire
- Samuel Pepys, Diary, September 1666.
- ‘The Londoners Lamentation’.
- R.M. Ballantyne, Fighting the Flames (1868), chapter IV, ‘Tells of a Fierce Fight with the Flames’.
- Hilaire Belloc, ‘Matilda: who told lies and was burned to death ’ (1907).
If you have difficulties accessing any of the readings then please email Melanie for pdf copies!
Monday, July 04, 2016
Next term - Fire
Our meetings for Michaelmas Term 2016 will be themed around 'Fire', giving us the opportunity to discuss everything from ancient elements to far-flung suns, pottery to passion, experimental practice and hellfire. Watch out for the full schedule later on this summer; and email Melanie if you have a burning desire to add anything to the reading list!
Meanwhile, enjoy these playlists of music about fire:
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