Showing posts with label History. Show all posts
Showing posts with label History. Show all posts

Thursday, June 22, 2017

Talk - 'Dissolving The Two Cultures: New Histories of Sciences and Humanities in Early Modern Europe'

Dr Nicholas Popper, College of William & Mary

Venue: Small Committee Room (K0.31), King’s College London, King’s Building

Date: 11:30 – 12:30, Thursday 29 June 2017

Abstract: Scholars in recent decades have challenged a crude historical dialectic that posed the scientific revolution as a modernizing challenge to the sclerosis of literary-oriented humanism. Instead, they have shown that the innovative models and methods devised by early modern luminaries like Francis Bacon and Galileo Galilei adapted elements of a dynamic contemporary humanistic culture. Similarly, though less well explored, scholars have shown that practices associated with the scientific revolution such as quantification and empiricism were significant to contemporary politics, history, and law as well. Natural philosophy, astronomy, natural history, philology, history, and art were often intertwined, and imposing a hard boundary between “science” and the “humanities” in the early modern period now appears anachronistic.

Nonetheless, fundamental assumptions rooted in this dichotomy still pervade early modern history of science and intellectual history, and consequently, we still misunderstand the transformations that took place between the sixteenth and eighteenth centuries. Taking the role of quantification in historical scholarship as a test case, my chapter proposes that mapping the flow of practices across intellectual communities will supply a new logic and narrative for early modern intellectual history. This approach, I argue, will deepen our understanding of the linkages joining early modern Europe’s cultures of knowledge, while also demonstrating how the formation of disciplines and the cleavage of science from the humanities in the late seventeenth century was itself achieved through shifts in practice.

Nicholas Popper is associate professor of history at the College of William and Mary. He is the author of Walter Ralegh’s History of the World and the Historical Culture of the Late Renaissance (Chicago, 2012). He works on early modern intellectual history, history of science, political practice, and the history of the book. His current project examines how the proliferation of archives and manuscript collecting transformed politics and epistemology in early modern Britain. To help with planning, it would be greatly appreciated if you rsvp to: angel-luke.o’donnell@kcl.ac.ukangel-luke.o'donnell@kcl.ac.uk
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Tuesday, March 07, 2017

CASEBOOKS: Six contemporary artists and an extraordinary medical archive

The exhibition is accompanied by a series of events, beginning with the Private View on Thursday 16 March and the Artists and Curator Seminar on Friday 17 March. All events take place at Ambika P3 (opposite Baker Street tube). Details online and below.

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CASEBOOKS: Six contemporary artists and an extraordinary medical archive
Jasmina Cibic, Federico Díaz, Lynn Hershman Leeson, Rémy Markowitsch, Lindsay Seers, Tunga

Private View: Thursday 16 March 2017, 6:30 - 8:30pm, Ambika P3, University of Westminster, 35 Marylebone Road, London NW1 5LS, Baker Street Station

Exhibition continues: 17 March - 23 April 2017

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ARTIST & CURATOR SEMINAR

Fri 17 March 2017, 4 - 6 pm Ambika P3, University of Westminster, 35 Marylebone Road, London NW1 5LS, Baker Street Station. Book a place here.

The CASEBOOKS exhibition is one of the most collaborative projects to take place at Ambika P3. It brings together researchers on the Casebooks Project, based at the University of Cambridge, with the curatorial team at the University of Westminster. This seminar is an opportunity to explore the issues brought about by the exhibition from the perspective of the artists and the Ambika P3 curator. Artists will present their projects and a round table will be convened to discuss the following topics:
  • How did the artists engage with the Casebooks Project ? 
  • What are the levels at which audiences engage with the artworks and the historical and digital artefacts through the exhibition?
  • Have the casebooks provided a common theme to the exhibition?
  • Can a collaborative exhibition such as this create new links between art, history and science?
Participants: The panel will consist of the exhibiting artists or their representatives and Dr Michael Mazière, Curator of Ambika P3. The Seminar will be chaired by Dr Lauren Kassell, Director of the Casebooks Project.

4.00 – 4.15: Introductions Lauren Kassell Michael Mazière
4.15 – 5.15: Artists' presentations
Jasmina Cibic: Unforseen Foreseens; Federico Díaz: BIG LIGHT Space of Augmented Suggestion
; Mark Hellar: Lynn Hershman Leeson’s, Real-Fiction Botnik and Venus of the Anthropocene; Rémy Markowitsch: The Casebooks Calf; Lindsay Seers: Mental Metal
; Rana Saner: Tunga’s Me, You and the Moon
5.15 – 6.00: Round table and Q&A from the audience chaired by Lauren Kassell
6.00 – 6.30: Drinks


Visit our website for the latest updates to the Casebooks Project: A Digital Edition of Simon Forman's and Richard Napier's Medical Records.