Carolyn Burdett will be giving
a paper entitled ”Shareability and contagion: psychology and aesthetics
at the fin de siecle” at the UCL seminar on Science and Literature at
5.30pm on Tuesday 3rd of June in the Grant Museum of Zoology. Directions can be found here. The paper will be followed by questions and discussion, and
the meeting will conclude with a glass of wine at 7:30pm.
“Shareability and contagion: psychology and aesthetics at the fin de siecle”
Over the final three decades of the nineteenth century a growing interest is discernible amongst psychologists in the category of aesthetics. One strand of psychological argument attempted to restate in modern terms the quality of art’s ‘shareability’: emotions elicited by art and literature could be shared, freeing humans from the ‘monopolistic’ nature of much of life’s struggle. At the end of the century, however, shared emotions were also the focus of theories of crowds where feelings are not just shared but caught, contagiously and dangerously. This paper suggests that aesthetic sharing and contagious feeling are both of relevance to an increased pressure being brought to bear by the end of the century on the notion of sympathy – that capacity to share in others’ feelings that composed a core ethical gesture for the Victorians and was central to much of their literary effort. Using the work of the aesthetic theorist, Vernon Lee, it looks beyond the end of the century to Lee’s response to crowd theory and the value of aesthetics during World War 1 and her attempt to re-energise sympathy and replace imitative contagion by the concept of empathy.
Dr Carolyn Burdett is senior lecturer in literature and Victorian studies at Birkbeck, University of London. She was recently awarded a Leverhulme research fellowship to pursue research on her current monograph, Coining Empathy: Psychology, Aesthetics, Ethics, 1870-1920.
“Shareability and contagion: psychology and aesthetics at the fin de siecle”
Over the final three decades of the nineteenth century a growing interest is discernible amongst psychologists in the category of aesthetics. One strand of psychological argument attempted to restate in modern terms the quality of art’s ‘shareability’: emotions elicited by art and literature could be shared, freeing humans from the ‘monopolistic’ nature of much of life’s struggle. At the end of the century, however, shared emotions were also the focus of theories of crowds where feelings are not just shared but caught, contagiously and dangerously. This paper suggests that aesthetic sharing and contagious feeling are both of relevance to an increased pressure being brought to bear by the end of the century on the notion of sympathy – that capacity to share in others’ feelings that composed a core ethical gesture for the Victorians and was central to much of their literary effort. Using the work of the aesthetic theorist, Vernon Lee, it looks beyond the end of the century to Lee’s response to crowd theory and the value of aesthetics during World War 1 and her attempt to re-energise sympathy and replace imitative contagion by the concept of empathy.
Dr Carolyn Burdett is senior lecturer in literature and Victorian studies at Birkbeck, University of London. She was recently awarded a Leverhulme research fellowship to pursue research on her current monograph, Coining Empathy: Psychology, Aesthetics, Ethics, 1870-1920.
No comments:
Post a Comment